A group of six oddball but resilient children encounter the way of a immense and fearsome paranormal evil that has invaded our existence from the deepest abyss of shadow. They are compelled to devote their lives fighting it, experiencing one nightmare after another in the process.
This outlines the narrative, broadly speaking, of Stephen King’s iconic book It (his best; no debate). It parallels of King’s son Joe Hill’s latest chilling tome, in which a band of six call forth the primordial, deeply sinister beast King Sorrow from the Abyssal Void to help them defeat some villains. Needless to say, their supernatural ritual goes awry.
Joseph Hillström King started his career striving diligently to avoid any connection from his well-known dad, publishing under the pen name he maintains to this day and steering clear of encounters with his agent (he possesses a striking resemblance to his parent). However, in his newest work, he leans into it. There are lines that consciously reflect some of King’s most famous (that classic opening line); a incident that recalls a recurring theme in King’s works (a riddling contest). Throughout this massive book, Hill is delighting in his lineage, and we delight along with him.
Back to those friends: the majority are pupils at the imagined this academic setting in this northeastern locale. There’s Arthur, bookish and intelligent, cracking historical enigmas in his free moments; another key figure, rich, sharp, and inclined to bulldoze those who oppose him; Donna and Donovan; the stunning Allie. And there’s Gwen, who doesn’t study with them, but becomes a key part of their circle as they toy, half believing, partly skeptical, in supernatural practices.
Our hero becomes, for reasons we don’t need to go into, obliged to take rare books from his beloved college library by a group of neighborhood thugs. This wounds his academic spirit, particularly as he’s compelled to seize the institution’s prized and disturbing publication: the diary of occultist this enigmatic character (executed “for dealing with infernal entities in 1703”; the cover is crafted from his flesh). These young investigators peruse the diary, discover they could summon what the author references as a “proud worm to assist Arthur with his blackmail problem – and occupy the subsequent narrative facing the fallout. This ancient entity will undoubtedly remove those annoying regional antagonists, but they are required to pick a different victim every twelve months or fall prey to the beast. As our protagonist states: “You invoke terrible forces, all you get is additional horrors.”
Spanning forty years, Hill also moves with effortless ease across narrative styles: as the friends strive to manage the circumstances they find themselves in by, through diverse methods, picking people who are obviously evil to offer up, or searching for methods to destroy the entity themselves, we go from suspense to shadowy tale, covert operations to romance to horror. My favorite genre switch was to a quest story, deep in the caves under the English county, a section infused with the Lord of the Rings author that was wonderfully frightening.
The novel features trolls – the classic variety and online ones, properly scary and superbly depicted. There are magical swords and deceptions, breath-taking moments of courage and scenes of appalling malevolence, both human and extraterrestrial. It’s a tour de force: a frightening tale that is primarily a tribute to the imagination, and to love and friendship. “We longed for a tale to embrace and {now we’ve got one|presently we possess it|currently we hold it,” says the wealthy student as the allies sit around the table, preparing to summon their serpent into existence with the strength of their collective will.
In the author’s own words in his epigraph: “Hic sunt dracones”. Don’t miss them.
A passionate golfer and journalist with over a decade of experience covering PGA tours and equipment innovations.