Through a thoughtful interview, the acclaimed performer opens up on topics ranging from her newest character as a regal sea creature to the profound lessons gleaned from onstage mishaps and fan interactions.
The most recent character portrays Queen of the Cuttlefish in The Pout-Pout Fish; supposing you had the opportunity to be a fish for a day, which one would you choose and why?
Without hesitation, the blue groper residing near a specific shoreline â because itâs a local landmark, and people go there specifically to spot it. I just think itâs cool that thereâs a local fish that folks genuinely go and see and talk about â it holds a unique status.
Which movie do you always return to, and why?
Ernst Lubitsch's 1942 comedy To Be Or Not To Be. I adore this film. When I was growing up, it used to come on the ABC every now and again, and one time I videotaped it. I just thought it was hilarious. It stars the legendary Carole Lombard and Jack Benny. Not long ago they were showing it at a cinema and I discovered that it was the preferred movie of an acquaintance, and so we went and simply chuckled and laughed. It is a masterful work of comedy and the entire cast in it are superb. The director Mel Brooks did a remake in the 1980s â which was not successful. But the original film is an exceptional farce, to be watched often.
Whatâs the best lesson you learned from someone youâve worked with?
Years ago I performed in A Dollâs House with Pete â now my spouse, but at the time we were not together. We portrayed characters opposite each other and on opening night I stumbled â I skipped forward some dialogue in the script. I was unaware of my error but I suddenly realised something wasnât right. I recall glancing toward him, and he completely saved me, and then the scene took off again and proceeded splendidly. But I think what I learned then was, first, consistently rely on the individuals in your scene. If you donât know your place, if you turn around and look at the people youâre with, you will find your correct position in some way. It is a profoundly communal thing, acting on stage. And next, just to have a lighthearted attitude regarding it. Occasionally when a mistake occurs, things actually spark off in a really great way if youâre really present in that moment. It may become an unexpected boon when things go absolutely awry.
Whatâs been your most touching interaction with a fan?
Itâs not a single particular interaction but when I meet fans of Lord of the Rings, especially female fans, I hear a lot of accounts about how that character meant to them when they were younger ⊠things that had happened in their lives and the extent to which that character meant to them and was a form of support to them during those periods.
Which questions get asked most frequently by Lord of the Rings fans?
The most detailed question is invariably regarding the stew her character prepares for Aragorn. âWas the stew as terrible as it looked?â Itâs become a running gag, the entire episode about the stew, and all fans wish to know the contents of the stew, and how was it made, and do you think sheâs a better cook now, or do you think she really is a poor chef? People are, I think, obsessed with the humour of that situation. And I go into lengthy descriptions listing the ingredients that made up the stew â because I remember the efforts made; such as put bits of red cotton to simulate the appearance like blood vessels in the meat. They went to great detail to render it as unappetizing as they could.
Whatâs been your most embarrassing celebrity encounter?
I was at a pilates class and another participant on a mat exercising, and the instructor remarked, âHello Miranda, this is Miranda.â And I attempted a lighthearted remark about, âoh, are you a journalist?â Since Miranda is an unusual name and often when I meet another Miranda, theyâre a journalist. I wasnât really identified her. And when she got up, it was the actress Miranda Richardson. Then I didnât know words. I was obliged to stay and do my class, and I felt so embarrassed. I wanted to say: âOh my gosh, I do know your work!â I consider her talent is immense and I was simply too awestruck to utter a syllable.
Articles have repeatedly stated that you were given your name from Prosperoâs daughter in Shakespeareâs The Tempest, and yet you've mentioned you saying otherwise â can you clarify this once and for all?
Indeed, I was christened for a district in Sydney. My mother heard on the radio that they were opening a shopping centre at that location, and the name sounded like a pleasant choice.
What was the chaotic thing thatâs ever happened on set?
While working in Brazil for the film Reaching for the Moon that was the least organized set of my career, and yet the film turned out incredibly well. But they just work in a distinct manner. Their concept of time there is really different. In Australia, you normally have a call sheet and must arrive on set by a certain time. But this was rather flexible â one would appear whenever you happen to be ready. It was a really different approach for me. The elements were all coming together at the very last minute, and at times the plan was unclear the next location or how we were going to do it. And then youâd be in during a scene and be like, âWhat caused that sound that just interrupted the scene? Oh, itâs a crew member opening a bottle on set, because heâs making a party.â The result was excellent, but wow, itâs a really different approach to film-making.
Do you have a secretly good at?
Iâve always been good with numbers. I memorise numbers more readily than I memorise words often, I simply have a numerically-oriented mind. So I believe had I not pursued acting, I likely might have entered a field something to do with numbers, like math or accounting.
What is the greatest piece of advice you have ever received?
When I was in high school, a speaker addressed us as we were graduating and they said, âdonât be afraid to failâ ⊠an idea I consider is the best piece of advice, because you learn far more from setbacks than you learn from success. With success, one rarely understand exactly how it happened. With failure, you learn abundant.
A passionate golfer and journalist with over a decade of experience covering PGA tours and equipment innovations.