This Floating Poo Was Way Too Meaningful! These Are the Television Letdowns of the Past Year.

Looking back, we consider the TV offerings of the recent year, a handful of series emerge not for their excellence, but for their spectacular shortcomings. Ranging from cringe-inducing spin-offs to bafflingly poor docuseries, here are the programmes that had us scratching our heads or just reaching for the remote.

And Just Like That

How to start with this divisive spin-off? Plagued with woeful writing, painful arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series fought to find its footing. Briefly, as the third series began, it looked like it had finally found its groove. Then came an installment centered on Seema’s natural deodorant. Little surprise the creator announced this would be the last season. It ended on a low point; the closeup of Miranda’s toilet full of poo was just way too symbolic. Yet, viewers certainly found joy dissecting every single “what on earth?” moment. And as Carrie – once again single – danced around her sprawling townhouse to Barry White, who couldn't release a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the smallest of this show's problems. The subject of a very rare zero star review, it was hard to know where to start enumerating the flaws. The laughably leaden writing? The mind-numbing veneration of wealth and consumption? The almost wilful parade of tropes? Performances so poor they felt borderline spiteful? Suffice it to say “each and every one” and forget about this series again. However, a second season has been commissioned, so we’re likely going to have to.

The Charlie Sheen Documentary

Given the restraining orders, abuse claims and parental shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d really have gleaned it from this multi-part docuseries which smirked its way at Sheen’s various bouts of reckless hedonism while failing to tell us a single thing we didn’t already know. Rather, it felt as if this loose cannon was being pandered to, so any pity this series might evoke should be reserved for the people who have had to endure close contact with this charming but dismissive narcissist.

The Supercomputer Drama

Of course we knew it was preposterous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of sheer admiration for its stars 
 but by the end, it felt like even they had stopped bothering. One scarcely reacted when his character died, and the other ended up hacking Charlie with an axe 
 in super slow-motion. Talk about giving up the ghost.

MobLand

Shady figures convening in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t endure the ignominy of having to accommodate unconvincing accents. But there were plenty of other problems. Mainly that it was just really dull; a dispute over narcotics territory between various London rogues which seemed rather simplistic.

The Meghan Markle Series

Given the extent to which she provokes the ire of certain performatively angry commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s televised forays into twee lifestyle as deliberate statements. But then you view them and are compelled to concede that actually, they may have a point. It’s like watching a homeware catalogue animated; a poster for wine o’clock with ideas of grandeur; a procession of sleeping dogs, buzzing beehives, sentimental platitudes and forgettable crafting “hacks” you’ll not remember instantly. All underpinned by vast, mostly unearned wealth. Ugh.

Victoria Beckham

There are obviously interesting things to be discussed about both Victoria Beckham and her struggles with career, self-image, self-acceptance. But for whatever reason, this documentary series opted not to say them. Rather, the viewing was akin to consuming a marketing catalogue. She clearly has good reason to bridle at what she describes as her “stern” image. But sadly, she failed to do herself any helps with this guarded letdown of a series.

The Game Show

It had the potential to be the next big hit – except even more extravagant, with a famous star as a deceased benefactor and a well-known personality managing her estate. What more could you want? As contestants battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s still too confusing to detail what exactly was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The series ended up reeking of a production that was trying way too hard to emulate something way beyond it.

The Lena Dunham Romcom

How do you follow a show that defined a generation? The pressure was immense for this starry romcom about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The star took her biggest role by the horns and was joyous to watch, reveling in Austen levels of romantic notions. But it was all very glossy and, paradoxically, was not enough. Plus, the abundance of famous friends involved felt uncomfortable.

The Sketch Show Return

Not even good enough to be ‘patchy’.

Given the smart inclusion of talented younger comics, expectations were high. But unhappily, most of it fell flat. A particular sketch was a single joke stretched to a dry pulp but recurring in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, meanwhile, simply inspired the thought that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this was not it. The material needed to be handled with care. Instead, the series struggled painfully to find the right voice, lurching from oddly breezy, slightly mannered farce to ultimately, real-life horror. Complex? Arguably. A complete mess? Very much so.

The Maths Genius Thriller

We love the star 
 but did we buy him playing the greatest maths genius since, a man so intelligent he’s on the brink of a discovery that could destabilise society? Nope! This international thriller about government agencies spying on – and eliminating – intellectuals frankly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the online personality notorious for explicit escapades as she undertook her biggest challenge yet. What on earth would possess her? What we craved was way more interrogation of her actual psychology, plus those of the men in the line. They could at least have interviewed the legendary mum who showed up to haul her son out of the queue. What we got was horrific shots and zero interrogation of her infamy whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Kim Ramirez
Kim Ramirez

A passionate golfer and journalist with over a decade of experience covering PGA tours and equipment innovations.